Abstract

Shared narratives emerge across transnational news, circulating meaning and contributing to how publics process and make sense of significant issues and events (Cottle, 2014; Pantti, Wahl-Jorgensen, Cottle, 2012). These narratives are also reflected in the spaces made possible by digital communication technologies, including social media, and the through the formation of transnational discursive communities. Disasters, or at least those that meet the criteria of proximity for Western media (Benthall, 1993; Gans, 1980), are exemplars of such global media events, where analogous narratives or frames are rendered in media coverage across national borders. The evidence from studies of national media, however, suggests that journalistic narratives to disaster tend to reinforce a discourse of difference between spectators and sufferers through the representations of those communities and societies affected by disaster (Bankoff, 2011; Joye, 2009). This chapter considers how difference is reinforced in transnational news narratives of disaster through the circulation of cultural stereotypes, arguing that the prominence of stereotypes are a consequence of the processes of domestication that shape the characteristics of news and the dominant news flows in the global media system. More specifically, that to enable accounts to resonate with audiences, news is often packaged and adapted to a national context (Gurevitch, Levy and Roeh, 1992), which can be achieved by using familiar images of different societies and cultures to provide a link for audiences when covering distant events (Tanikawa, 2017). At the same time, as news and information becomes increasingly deterritorialised the overlaying of cultural frames to inform and explain a disaster in one national context may evolve across media coverage in others, contributing to the development of shared narratives to a single event. This is facilitated, for example, by the flow of information from news agencies and international news organisations, in particular those emanating from the core (the West) to the periphery (Wu, 2003). To elucidate these mediation processes across borders, the chapter will draw on one recent case study of disaster journalism to consider how essentialist notions of Japanese culture emerged as a unified narrative across international news coverage of the tripartite disaster of March 2011, reflecting its position as a dominant Western discourse on Japan.

Highlights

  • When covering significant global events, shared narratives may emerge across a globalised news media, circulating meaning and contributing to how publics make sense of issues and events (Cottle, 2014)

  • While commonalties in coverage have previously been ascribed to hierarchies within a global media system, illustrated, for example, by the influence of a select group of satellite news channels (Cottle and Rai, 2006) and international news agencies on the selection, presentation and dissemination of news (Boyd-Barrett, 2008; Clausen, 2003; Wu, 2003), more recent research recognises

  • Others suggest that similarities in news output are due to the norms, practices and values of journalism that are increasingly shared between different journalism cultures and contexts, for example approaches to newsgathering and the prominence afforded to citizen material (Berglez, 2013; Nygren and Stigbrand, 2014)

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Summary

Bournemouth University

When covering significant global events, shared narratives may emerge across a globalised news media, circulating meaning and contributing to how publics make sense of issues and events (Cottle, 2014) These narratives are reflected in the s­ paces made possible by digital media platforms and through the formation of a global discursive community (Guo, Holton and Jeong, 2012). Others suggest that similarities in news output are due to the norms, practices and values of journalism that are increasingly shared between different journalism cultures and contexts, for example approaches to newsgathering and the prominence afforded to citizen material (Berglez, 2013; Nygren and Stigbrand, 2014) To elaborate on these processes, this chapter will explore the narratives that emerged across global media coverage of the cascading disaster that Japan faced in March 2011. Through this case study and by drawing on approaches to networked ­journalism (Heinrich, 2011), it will argue that the narrativisation of this event, reflected the structural influences on news but echoed ways of understanding, in this example advancing a cultural narrative that was premised on the dominant discourses on Japan

News and Narratives of Disaster
Processes of Narrative Homogenisation
Conclusions
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