Abstract
Abstract Six works from the artist Mira Schor's open-ended series of handwritten defacements of the New York Times— most often of its front page—which she irregularly posts on Instagram. Varying in intensity, all have the same target: the way the language of the paper, aping “objectivity,” often tends toward obfuscation, which the artist regards as a dereliction of duty, a variety of Orwellian doublespeak that is much more subtle than what one might find on Fox News, making the debunking of its rhetoric all the more urgent.
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