Abstract
This paper investigates the emergence of the film montage method as a new form of urban representation during the early part of the 20th century. Interest is focused on the development of film montage as a vehicle for a new modem consciousness which has evolved out of a rapidly changing urban environment. Montage is analysed as a revolutionary way of perceiving the city and comparable examples from our time are sought in urban design representations.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
