Abstract
Soviet propaganda often used the Soviet space program as a symbol of a much larger and more ambitious political/engineering project—the construction of communism. Both projects involved the construction of a new self, and the cosmonaut was often regarded as a model for the “new Soviet man.” The Soviet cosmonauts publicly represented a communist ideal, an active human agency of sociopolitical and economic change. At the same time, space engineers and psychologists viewed human operators as integral parts of a complex technological system and assigned the cosmonauts a very limited role in spacecraft control. This article examines how the cosmonaut self became the subject of “human engineering,” explores the tension between the public image of the cosmonauts and their professional identity, and draws parallels between the iconic roles of the cosmonaut and the astronaut in the cold war context.
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