Abstract
Introduction: Why Philosophy of Film Now? Part I: The Analytic-Cognitivist Turn 1. The Empire Strikes Back: From Grand Theory to the New Film Ontology 2. The Bad and the Beautiful: Narrative, Character Engagement, and Genre 3. Artificial Intelligence: Cognitivism Goes to the Movies Part II: The 'Continental'-Romantic Paradigm 4. From Ontology to Appreciation: Cavellian Romanticism 5. Time, Affect, and the Brain: Deleuzian Cinematic Thinking 6. Who's Afraid of Ideology Critique? The New Political Film Aesthetics Part III: Cinematic Thinking 7. From Badlands to New Worlds: Terrence Malick's Cinematic Poetry 8. Cinematic Ideas: David Lynch as Film-Philosopher 9. Beyond Dogme: Lars von Trier's Romantic Irony Conclusion: From Philosophy of Film to Film-Philosophy Filmography Bibliography Index.
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