Abstract
Acknowledgements Jessica Cox: Introduction: Blurring Boundaries: Fiction of M.E. Braddon New Perspectives on Lady Audley's Secret Tabitha Sparks: the Mad-House Born: Ethics of Exteriority in Lady Audley's Secret Nancy Knowles and Katherine Hall: Imperial Attitudes in Lady Audley's Secret Michelle Lin: To Go Boldly Where No Woman Has Gone Before: Alicia Audley and the New Woman Grace Wetzel: Homelessness in the Home: Invention, Instability and Insanity in the Domestic Spaces of M.E. Braddon and L.M. Alcott Beyond Lady Audley's Secret Andrew Mangham: Drink It Up Dear It Will Do You Good: Crime, Toxicology, and Trail of the Serpent Anne-Marie Beller : Sensational Bildung? Infantilization and Female Maturation in Braddon's 1860s Novels Juliette Atkinson: Serve God and Mammon: Braddon and Literary Transgression Joanne Knowles: French Connection: Gender, Morals and National Culture in Braddon's Novels Tamara S. Wagner: Re-Plotting Inheritance: Triangulation of Legacies and Affinities in Fatal Three Laurence Talairach-Vielmas: If I Read Her Right: Textual Secrets in Thou Art the Man (1894) Kate Mattacks: Sensationalism on Trial: Courtroom Drama and the Image of Respectability in His Darling Sin Carla E. Coleman: The Stage! Oh, Flora, the Very Idea Frightens Me!: Representations of Professional Theatre in Rupert Godwin and A Lost Eden Bibliography Notes on Contributors Index
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