Abstract

This article describes the recently completed remounting, transport, and reinstallation of two large-scale Egyptian objects at the Museum of Fine Arts, Boston: the exquisitely painted cedar coffin panels of Djehutynakht and the monolithic granodiorite sculpture of Lady Sennuwy. Both artifacts exhibit structural instabilities, their surfaces are severely compromised by degradation, and their considerable weight added to the challenge of handling. Information on previous treatments and installation methods was limited, further complicating the process of developing appropriate conservation and mounting measures. Custom-designed armatures were developed to stabilize the structural integrity of the objects and facilitate their move within the building, allow secure reinstallation for a temporary exhibition, and provide future mobility. The precarious nature of both objects dictated that handling had to be kept to a minimum. Decision-making processes, conservation and mounting measures, and armature design are discussed in detail.

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