New Mexico's Spanish Catholic Past

Abstract

New Mexico's Spanish Catholic Past Ramón A. Gutiérrez La Conquistadora: The Autobiography of an Ancient Statue, by Fray Angelico Chavez (Paterson, NJ: St. Anthony Guild Press, 1954), 96 pp. In the years following the initial voyage of Christopher Columbus seeking a western route to the riches of the East Indies in 1492, Spain rapidly established a far-flung empire. By the 1560s Spain's sovereignty extended from Madrid to Manila. Its expeditionary forces had captured the wealth of the Aztec and Inca Empires and explored much of what became known as the Spanish Borderlands of North America, that southern third of what became the United States extending from Florida to California. The Kingdom of New Mexico, established in 1598, is the oldest and most enduring of Spain's settlements in the United States, antedating the founding by the English of Jamestown in 1607 and Plymouth colony in 1620. The person who chronicled New Mexico's Catholic history most intensively during the twentieth century was Fray Angélico Chávez. In his lifetime he published twenty-three books and more than six hundred articles describing different facets of Catholic experiences here under Spanish, Mexican, and U.S. rule. The focus of this essay is on Chavez's 1954 book, La Conquistadora: The Autobiography of an Ancient Statue, in which he narrates the history of New Mexico's Christianization through the eyes of a wooden statue of Our Lady of the Rosary, brought by the Franciscan friars in 1625. Fray Angelico performs as a ventriloquist, giving the statue her feminine voice, which in turn she uses to narrate her triumphs and travails as New Mexico's virgin, queen, and mother over a span of more than three centuries. Chavez occasionally wrote with the female pseudonym as "Ann Jellico" assuming the persona of a woman, making his work by today's standards rather queer and campy. Males assuming female personas in [End Page 61] European and American literature is hardly unusual; what is, is that a piece of wood does. Chavez was born in 1910 to Fabian and Nicolasa Roybal in Wagon Mound, New Mexico and baptized as Manuel Ezequiel. When ordained a Franciscan friar in 1937 he chose Angélico as his clerical name to honor Nuestra Señora la Reina de los Ángeles, the Catholic patroness of Los Angeles, California. Fray Angélico was born into an ancestral line he traced to members of one of the first Spanish colonizing parties to enter New Mexico in 1598. A year after Angélico's birth his family moved to San Diego, California where his father worked as a carpenter building the pavilions for the Panama-California Exhibition inaugurated in 1915 to celebrate the opening of the Panama Canal. New Mexico's exhibition there, modeled after Acoma Pueblo's Franciscan church, became the pavilion that attracted the fair's largest crowds and subsequently inspired Santa Fe's city fathers to refashion the town's architectural style from Victorian to Spanish colonial in the 1930s. Some scholars opine that young Manuel's exposure to Spanish neocolonial architecture in San Diego and later Santa Fe may have inspired his fascination with the region's Spanish past. As a child Angelico was educated by the Sisters of Loretto who undoubtedly encouraged his pursuit of a clerical career. At the age of fourteen he enrolled at St. Francis Seraphic Seminary High School in Cincinnati, Ohio, moving to the nearby novitiate of the Saint John the Baptist Province of the Order of Friars Minor in 1929, obtaining a bachelor's degree in theology at Duns Scotus College in 1933. On returning to Santa Fe he was ordained a Franciscan priest at St. Francis Cathedral on May 6, 1937. He was the first native-born New Mexican ordained by the Order of Friars Minor begun by St. Francis of Assisi in 1210, having been educated entirely in Catholic schools by priests and nuns. Angelico Chavez became a prolific writer at a young age, first of poetry while he was still in high school, eventually adding essays and tomes on colonial art, history, and imaginative fiction to his literary repertoire anchored in themes derived from New Mexico...