Abstract

This article puts Frederick Jackson Turner’s “frontier thesis”—an interpretation of American history that held sway among historians and the general public from the late 1890s to the 1930s—in conversation with James F. White’s depiction of an American liturgical “frontier tradition”—an interpretation of evangelical worship that became popular in the 1990s and continues to hold sway in the twenty-first century. It analyzes both through the lens of contemporary critiques and proposes new lines of inquiry that will contribute to a more robust understanding of American evangelical worship.

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