Abstract

Earlier literature on Jewish ceremonial art from medieval Ashkenaz (the Jewish community of Northern France and the Rhineland and areas under its influence) encompassed only a small number of extant objects from that period. These can be divided into two groups: those that are uniquely Jewish in form, and those that represent an adaptation of types in general use. The present study enlarges the corpus by integrating material published in general sources or recently discovered in treasure troves. Some of these works had not been previously identified as Judaica, for example the double cups known as Doppelkopf or Doppelscheuer. The popularity of this last form among Ashkenazi Jews is indicated by numerous representations of the type in illuminated Hebrew manuscripts, and can be understood in the context of German customs and the evolution of the Jewish marriage ceremony during the High Middle Ages.

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