Abstract
On the basis of its technological and stylistic features, a new find of oriental silverware from the Konda River is identified as a work of the Ural-Siberian circle and dated to the 9th–10th centuries. Its scene of gender violence is interpreted using the parallel text of the “Sabha Parva,” which describes the sufferings of Draupadi, Queen of Pandavas, and the actions of Duhshasana who won her in a game of dice. The urban culture of the pre-Arabian Sogd connects the Indian source with the Turkic environment of the Ural region. Here knowledge of the story from the “Sabha Parva” had not yet been recorded but nonetheless existed judging from scenes from the “Virata Parva” which appears among the monumental paintings of Penjikent.
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