Abstract
1. Introduction: New Chinese-Language Documentaries Part 1: History and Politics 2. The History of Documentary Filmmaking in Mainland China 3. The Vision and Voice of New Taiwan Documentary Part 2: Theory and Ethics 4. Independent Documentary and Social Theories of Space and Locality 5. Subject to Movement: Wu Wenguang and the Ethics of Self Part 3: Subject and Gender 6. New Subjectivities in Women's Documentary Films 7. The Other as Interlocutor: 'Voices of the People' in Taiwan's Documentaries Part 4: Place and Migration 8. Empowering Place: Jia Zhangke's Post-Nostalgic Assemblage of Shanghai 9. Migration Documentaries and the Vision of Cosmopolitanism Part 5: Exhibition and Circulation 10. YIDFF and Taiwan Documentary in the International Arena 11. The Circulation of Mainland Chinese Independent Documentary
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