Abstract
UNE NOUVELLE EUROPE: THE DOUBLE QUEST OF NEW CENTRAL AND EAST-EUROPEAN CINEMA The Berlin Wall collapsed some eight years ago, along with the repressive totalitarian Communist regimes it came to symbolise, thus neatly wrapping up half a century in the history of Eastern Europe. Little has reached our shores, however, about the effects on everyday life of this unprecedented change, brought about by mostly "velvet" revolutions across the region. In March of this year Cinémathèque Québécoise launched Une Nouvelle Europe: A Panorama of Central and Eastern European Cinema, featuring 28 feature and 5 short films from 8 countries.(1) The selection was also presented in Toronto (Cinematheque Ontario, April 4-May 1, 1997) and in Vancouver (Pacific Cinematheque, March 22-May 1), under the title A New Europe: Reeling After The Fall. The organisation of the event was an arduous and time consuming task. It took more than a year and a...
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