Abstract
The article considers the concept of new anthropology in the works of Vasily Chekrygin in the context of the scientific and philosophical ideas of his time. Chekrygin’s anthropology drew on the new concepts of life, discoveries made in biology and chemistry and new ideas of matter. A paradoxical fusion of scientific and occult thought, coupled with ideas of Christian anthropology, formed a crucial component of Chekrygin’s works. The artist produced his anthropological project at the intersection of two cultural paradigms: that of Christianity, on the one hand, and science and the occult, on the other. This blend of such heterogeneous concepts was not an accidental fact of the artist’s biography. It makes it possible to see certain problems and antinomies that were fundamental to the Russian culture of the 1910s through the early 1920s.
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