Neo-Hasidism

Abstract

“Neo-Hasidim” (sing. Neo-Hasid) are non-Hasidic Jews who draw upon Hasidism for purposes of spiritual or cultural renewal. Neo-Hasidism is thus rooted in a belief that the core of Hasidism—often identified with the movement’s earliest generations—is transferrable to other sociological contexts. Neo-Hasidim tend to be more secular and liberal-minded than Hasidim, but this is not necessarily the case. Note that even the most radical innovators within Hasidism itself, such as Nahman of Bratslav, Kalonymus Kalman Shapira of Piaseczno, or Menaḥem Mendel Schneerson, are not “neo-Hasidic” per se, since they operated within Hasidic communities. A border case, however, is women from Hasidic families who have been excluded from the central sites of Hasidic identity performance due to their gender and yet drawn deeply upon Hasidism in their own lives. When neo-Hasidism emerged in Central Europe at the dawn of the 20th century, it represented a striking cultural shift. From the Enlightenment through the 19th century, liberal Jews had generally cast Hasidism as backward, superstitious, and irrational. This was largely a strategic position: by differentiating themselves from “uncivilized,” “oriental” Ostjuden (Eastern European Jews), especially those ecstatic Hasidim, liberal Jews could demonstrate their own worthiness of citizenship and civil rights in modern nation-states. Around the turn of the century, though, a new generation of Jews rejected these bourgeois, assimilationist aspirations. On one hand, unmitigated discrimination against Jews and a rise of racial anti-Semitism seemed to suggest that liberal Jewish denigration of Ostjuden was unproductive, if not immoral. On the other hand, at the same time, a wave of neo-Romanticism swelled in the region, as more and more Europeans asserted that modernist rationalism, promises of progress, and industrialization and urbanization had only bred disenchantment and alienation. Many turned to folk cultures, mythologies, and mysticisms as keys to a renewed vitality. From this perspective, Hasidism took on a new aura. The first wave of what came to be called neo-Hasidism began as a literary phenomenon. Modern Hebrew and Yiddish writers such as Y. L. Peretz (b. 1852–d. 1915), Mikhah Yosef Berdichevsky (b. 1865– d. 1921), and Samuel Abba Horodezky (b. 1871– d. 1957) wrote glowingly about Hasidism from decidedly non-Hasidic—or, in some cases, ex-Hasidic—vantage points. Around the same time, Hillel Zeitlin (b. 1871– d. 1942) and Martin Buber (b. 1878– d. 1965) celebrated Hasidism as a resource for Jewish religious renewal. Decades later, a second wave of neo-Hasidism took shape among spiritual seekers in the North American Jewish counterculture of the 1960s. Sparked initially by immigrants who had fled the Shoah (Holocaust)—most notably Abraham Joshua Heschel (b. 1907– d. 1972), Zalman Schachter-Shalomi (b. 1924– d. 2014), and Shlomo Carlebach (b. 1925– d. 1994)—the neo-Hasidic ethos gained steam through activities of US-born seekers and scholars, especially through the Jewish Renewal movement. Additional, and sometimes surprising, offshoots of neo-Hasidism continue to spread through today.