Abstract
This article exposes theses on the Eminescian model as the irradiating center of the Romanian literary canon. The poetry of the 60s and 80s of Bessarabia is conceived as ,rupture with the dogmas of socialist realism and a return to the models Arghezi, Blaga, Bacovia, Barbu. Neomodernism, through rhysome ruptures, has a decisive impact on the metamorphoses of sixty/seventy poetry. The testing of aesthetics produces a change in the concept of poeticity, a mutation from the ardent east-ethics of the generation of Grigore Vieru and Liviu Damian to the aesthetic „liberated from sentimentality”, to the poetry of the imaginary, of the virtual worlds, of poetic models. Neomodernism, very eclectic in its essential moments, is adapted to the intrinsic tradiționalism of the poetry 60s and 80s and has a decisiv impact in the metamorphoses of the transition from modernism to postmodernism.
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