Abstract

Antal Hofhauser was a descendant of an old stonemason family in Buda. Sacral architecture played an important role in lifework. There is good reason to suppose that his work and position as a teacher played a very important role, increased his authority and the appearance of his entries was far more beautiful than that of other entries. Teaching certain subjects for long decades enabled him to vary the already existing solutions easily. His authority and his good reputation from previous principals may have helped him on several occasions, that he was able to win assignments from the second rank, or a supervisor position. Based on his studies in Vienna and his interest in urban architecture, he always adapted his churches to the current situation and possibilities. Not too inventively, but fulfilling the principals requirements, he varied and vested the fundamental towered, longitudinal, Latin-cross-shaped, which had one or three naves, a polygon-closed sanctuary and was canonised from the Middle Ages, with well-known elements chosen from medieval styles. This layout, and similar constructions, like fundations can also be observed in the case of Bátaszék and Békéscsaba. Based on the cover he used in general, his style could be called "Backsteingotik" (Brick Gothic), however, the forms he used and the building materials he replaces evoke the architecture of French territories instead.

Highlights

  • 1.1 The Hofhauser family, Antal Antal Hofhauser was born in an old local family in Buda, in 1857

  • Sacral architecture played an important role in lifework

  • There is good reason to suppose that his work and position as a teacher played a very important role, increased his authority and the appearance of his entries was far more beautiful than that of other entries

Read more

Summary

Introduction

1.1 The Hofhauser family, Antal Antal Hofhauser was born in an old local family in Buda, in 1857. In the Kaiserstadt, assisting his master, young Hofhauser soon had the opportunity to take part in designing larger public buildings, out of which the most outstanding is the Church of Maria vom Siege in Fünfhaus, Vienna (Weninger, 1923:p.117) It was in this period when Antal Hofhauser learnt the conscious use of neo-Gothic design elements. In his church architecture, he almost exclusively used brick. Based on a drawing that a student drew "after nature" on the portal of Our Lady of Mount Carmel Church and Monastery in Angyalföld, we can assume that his completed buildings in Budapest were among the drawing tasks (Fig. 1) Architects highly appreciated this form of education, which was essential for training good experts. The building of these churches was preceded by the Our Lady of Mount Carmel Church, which was completed by 1899 (Gajdos, 2001:p.9)

12 From his earlier works
24 Josef Schmalzhofer
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call