Abstract

Campinas has a special place in the history of black movement in Brazil. It is pioneering in the black press: in the pages of the periodical Getulino, as early as the first decade of 20th century, it was published the outcry of the blacks against a society that excluded them. This was done at the same time through social and literary notes published by the newspaper. Nevertheless, it was also the city where the blacks were forbidden to enter in the cinemas. In Campinas, however, at the same time, it was constituted an of composed by black people. This article intends to present and to analyze a panel of the racial ideology and social life of this elite of color, which appears in the pages of the periodical Hifen, edited by and for blacks and sub entitled The trace of union of the elite.

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