Abstract

Research on museums has proved useful in understanding the social dynamics of groups and societies and their use of material culture for the construction and reaffirmation of cultural identities. A comparison between two exhibitions of Jewish art and history taking place in London at the turn of the twentieth century reveals a gradual shift in the museological representation of Jewish identity from a focus on religion towards ethnicity. The inclusion of visitor perceptions and of unintentional and contradictory meanings of the exhibits, however, illustrates that these representations were not necessarily the outcome of a clear strategy and were socially contested.

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