Abstract

This article focuses on the amateur theatre of the People's House and the consumption of state-promoted mixed-gender activities in the 1930s and 1940s in Turkey. The People's Houses were community centres established in many Turkish towns between 1932 and 1950. They performed activities in adult education and political indoctrination with the chief aim to propagate the socio-cultural changes the state had been initiating since 1923. Drawing on complaint letters and investigative reports, this article focuses on the presence and activities of women in the People's Houses; reviews the tension produced upon the introduction of mixed-gender entertainment and social interaction like theatre within largely sex-segregated local societies; studies the practices performed by men and women and the discourses they articulated in response to and in an attempt to manage such moments of tension; and considers their significance as practices contributing to the negotiation and shaping of social identities.

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