Abstract
Abstract: This article argues that nostalgia, as a spatially-oriented concept which developed around the late eighteenth century, was integral to the development of Romanticism in the period. From this emergent paradigm of nostalgia, Palestine––both as a literal and figural place––acquired a renewed interest and prominence in aesthetic and national cultures of the Romantic period. The article then traces how a multiplicity of native Palestinian Romanticisms developed partly in response to American and European encroachments on Palestine that were themselves partly motivated by Romanticism.
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