Nebulous Cinema

Abstract

Abstract As billowing masses averse to stillness and defined by perpetual variability, clouds, fog and mist share common ontological properties. This article will group them together under the rubric of the “nebulous,” and probe its conceptual and aesthetic relationship with film. Fog, smoke and mist are pervasive through the entire history of cinema and crop up in an array of genres and modes. What would film history look like if traced from the perspective of these cloud forms? The article hopes to sketch out the first contours of such a history by honing in on a durational cinematic tradition, from the “landscape film” of the 1970s through to contemporary slow cinema. It will conceive of such a history as intermedial both in the sense that it extrapolates the boundaries of the film medium and in that it treats fog, mist and clouds as elemental “media” in their own right.