Abstract

Singing, particularly psalm singing, has enjoyed a lengthy tradition among Christian churches. “Singing God’s praises brings us nearer to the exercises of Heaven than any other service we can engage on earth” proclaimed one nineteenth-century advertisement. Churches as well as singing schools frequently relied on tunes that circulated across countries and oceans through oral transmission and increasingly through printed tune books, as the capacity of printing technologies expanded in the nineteenth century and pricing of books became affordable to larger numbers of citizens. Singing instructions, tunes, and hymns were printed, reprinted, and modified to meet local demand. Music styles that lost favour in some countries continued to flourish in other settings. The first printed music in Nova Scotia, The Harmonicon, was produced in a Presbyterian context in 1838. Three decades later, demand for a new tune book prompted the Synod of the Presbyterian Church of the Lower Provinces of British North America to publish The Choir, a compilation designed to satisfy “a healthy taste for sacred music.” First published in Halifax in 1871, this volume was the mainstay of Maritime Presbyterian congregations for the remainder of the century. This paper traces the history of the production of The Choir, compiled by the church’s Committee on Psalmody. Details about the editions and reprinting of the tune book are provided. The paper concludes with an examination of the contents of the volume, where particular attention is given to elements of the book that illustrate the compilers’ attention to the local audience for which it was intended, including the use of local place names for tune titles, and the inclusion of locally composed tunes and fuging tunes, which were written for an antiquated singing style that persisted in the Maritimes long after it faded from church music in other parts of North America and the United Kingdom.

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