Abstract
The article examines the rise of the rind character, which occupies an important role in the system of images of Alisher Navoi's poetry, to the level of the aesthetic ideal. The moral and aesthetic characteristics of the image of the rind in the poet's rindona poems are analyzed in relation to the image of May (wine in Eastern poetry). Because May is one of the symbols that reveal the essence of beautiful poetry, this method of analysis leads to the correct interpretation of rind and rindly. In addition, ideas on the predominance of the content related to idolatry and tarsatism (Christianity), the fact that beauty is related to the state of the lover, and the appearance of the Xarobot (ruin) as an essential concept in the beautiful poems are also expressed. At the same time, aspects that overshadow the rind's aesthetic ideal have not been overlooked.
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