Abstract

The “Grotto-Heavens and Blissful Lands” (dongtian and fudi, 洞天福地) is a unique concept of sacred space in China and even in East Asia, combining beautiful natural scenery, rich historical heritage, and diverse cultural heritage. This paper tries to explain Mount Jingfu’s (jingfu shan, 靜福山) aesthetic representations. The results show that the landscape’s physical environment projects the spatio-temporal system and the concept of the universe in Daoist aesthetic ideals. With the spatial evolution of divine immortals’ abodes from imagination to reality, people’s yearning for divine cave palaces is transformed into their connection with and their expression of the palaces in exploring space interests and aesthetic trends that are then integrated into the secular life of thousands of households through living religious rituals. Preserved by local religious believers, the ritual activities incorporated geographic, familial, and divine interactions, and characterised essential social aesthetics. By exploring a typical case of Lingnan Region (lingnan, 嶺南, an old term for South China), this paper aims to elucidate the significance of the Grotto-Heavens and Blissful Lands as living heritage in contemporary society across multiple dimensions, and to provide a theoretical basis for the protection of its system.

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