Abstract
This paper focuses on the evolution of the sentiment of landscape in Gustave Flaubert’s work, both in his travel stories (in Brittany and, especially, in Near East, with the famous Voyage en Orient) and in his major literary works (Salammbô, Madame Bovary, L’éducation sentimentale, Bouvard et Pécuchet). It is part of a more general and collective research in the School of Architecture of Granada about the image of architecture, town and landscape in literature and painting.
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