Abstract
Martin Heidegger divided the researchers engaged in questions of history into two categories - historians and historiographers. Historiographers are immersed in the study of language texts and other artifacts left over from the past. Historians go further. They seek to immerse themselves in the flow of historical time and, in addition to the study of linguistic written texts, to present the sounding speech of the past human generations. To present speech is to have some experience in this regard. This experience is taken, according to Heidegger, from poetic and musical creativity. From this it is concluded that the historical events or even entire epochs are resonated, just as the harmonic consonance between the musical phrases of a symphony or sonata performed in time is realized. These phenomena are discussed in this article. To this it must be added that the results obtained in the article are not the fruits of musical-poetic intuition alone. They undergo rigorous testing in accordance with Heidegger's developed dialectic technique, based on the logical operation restored by him in philosophy and called privation.
Highlights
Sviridov argued that the artist is called to serve, to the best of his power, the disclosure of Truth, and the Truth can be contained in the synthesis of Music and the Word
Our speech consists of separate words; words are divided into sounds, which in written language are denoted by alphabetic characters
A piece of music leads to a clear understanding of the fact that both speech and music consist of opposite elements “yes” and “no”
Summary
Email address: To cite this article: Antipenko Leonid Grigoryevich. Natural Science Value of Linguistics in Historical Research. Received: July 18, 2019; Accepted: August 26, 2019; Published: December 24, 2019
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