Abstract
Abstract. This paper focuses on a detailed analysis of the Fauve artist Othon Friesz's painting Autumn Work (1908) within the contextual juncture of nationalism and primitivism. The painting occupies a unique position within this framework as it elucidates a point a convergence between nationalist ideologies and the primitivist turn towards peasant cultures as a repository of the past. This interpretation also identifies how Friesz's fusion of the Virgilian golden age with the contemporary, rural myth disrupts the Self/Other framework of primitivism via the lens of national identity. Friesz's employment of classically influenced and avant‐grade aesthetics further underscores the ways in which the painting references not only his personal artistic negotiation between tradition and modernity, but also the significance of ancestral myths and temporal oppositions in both nationalist and primitivist discourse.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
