Abstract

This article describes the relationship between nationality and universality in ethnocultural group, the peculiarities of national culture. Moreover, it also studies ethnocultural group as the core of the national culture, the form of exaggerating the beauty, and splendor of the protagonist in the grotesque style, the harmony with the morality and beauty in Uzbek ethnocultural group and the factors that influencing the formation of national and universal characteristics in ethnocultural group.

Highlights

  • National culture and ethnocultural group are not exactly phenomena, national culture is broader than ethnocultural group

  • Ethnoculture is the core of national culture as the sum of material and spiritual wealth created by ethnoses

  • It should be noted that when you appreciate the beauty, splendor and figure of the national heroes, you will not fall in love with this image

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Summary

INTRODUCTION

National culture and ethnocultural group are not exactly phenomena, national culture is broader than ethnocultural group. Ethnoculture took a vital role in the process of social and historical-cultural paradigm development of the people (ethnos), as a set of spiritual materials richly formed in the process of long socio-historical development. Ethnoculture is the core of national culture as the sum of material and spiritual wealth created by ethnoses. Its main functional feature is to preserve the material and spiritual wealth created by ethnic groups, to pass it on to future generations, to serve the understanding of national identity, to install a. Sense of national pride, patriotism and nationalism in young people’s mind

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