Abstract
Acknowledgments Introduction 1 Canadian Art in England 2 England in Canadian Art 3 Canadian Art in Paris 4 Canadian Primitives in Paris 5 Barbeau and Kihn with the Stoney in Alberta 6 Barbeau and Kihn with the Gitxsan in British Columbia 7 Giving Gitxsan Totem Poles a New Slant 8 Representing and Repossessing the Skeena Valley 9 West Coast Art, Native and Modern 10 The Downfall of Barbeau 11 Revisiting Carr Conclusion Notes Bibliography Index
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
