Abstract

This article concerns two national museums in Croatia during the socialist period, the Museum of the Revolution of the Peoples of Croatia and the Historical Museum of Croatia. Both state-developed institutions were intimately tied to the process of nationalization as they helped articulate the place of the Croatian nation within the ideology of supranational Yugoslavism founded on the ideas of socialist patriotism, brotherhood and unity, self-management, national assertion, and South Slavic culture and community. This paper therefore traces the development and collapse of Yugoslavism in Croatia's national narrative by analyzing how these museums adapted the mythology of socialist Yugoslavism for a particularly Croatian context. Specifically, this paper investigates the ways in which these museums operated in an often ambiguous national-supranational discourse in order to reinforce the historical precedents of Croatia as part of the Socialist Federal Republic of Yugoslavia. I argue that these museums were envisioned by party elites and museum curators alike as essential to the project of building socialist Yugoslavism by adapting and altering Croatia's previous national pantheon of heroes, places, objects, and events to fit into a larger and distinctly supranational Yugoslav framework.

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