Abstract
AbstractThis article examines inter-war east-central European cultural diplomacy as played out in one apparently remote locale: the Nationality Rooms of the Cathedral of Learning at the University of Pittsburgh. Here, a local project originally intended to pay homage to the various immigrants of the Steel City was transformed into a transatlantic project in which the Czechoslovak, Hungarian and Romanian governments (among others) each aimed to construct and propagate a national image abroad. A close looks at this particular ‘transnational construction site’ reveals a surprisingly complex entanglement of cultural production, the construction of national identities, and foreign policy. Battles over space and artistic content also lay bare the sense of competition, urgency and anxiety that, this article argues, characterised inter-war cultural diplomacy in east-central Europe.
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