National existence in the cycle of R. Otarbayev’s stories "Gosters from China"

Abstract

The object of the article is traditional and artistic Kazakh culture. The subject is the manifestation of the national tradition in the story "White Heavenly Butterflies" from the cycle "Hotels from China" by the modern Kazakh writer Rakhimzhan Otarbaev. The material for the article is the creative heritage of the writer. Much attention is paid to the folklore and Sufi traditions in the work, which are expressed both explicitly and implicitly. The research methodology is reduced to a holistic ontohermeneutical analysis aimed at highlighting the folklore, ethnographic paradigm of this story. Much attention is paid to the musical code in the story, since for the Kazakh culture music is the primary element from which the universe, the world tree, is born. The results of the study are to identify the cultural potential of the story of a modern Kazakh writer for further study of the national image of the world of Kazakhstan. The results of the work can also be used in teaching courses on the culture and literature of the peoples of Russia and the CIS countries, cultural studies, and philosophy.