Abstract

Animals from distant lands fired the imaginations of people living in Europe throughout the Middle Ages. This is attested by a considerable wealth of iconographic and written material which has been explored from many perspectives, providing valuable insights into medieval western conceptualizations of the fringes of the known world and the otherness of exotica. However, the physical remains of non-indigenous species – both those recovered from archaeological contexts and extant in private collections – have generally been examined in isolation and rarely incorporated into a broader framework exploring the reception and utility of exotica. This article offers a new perspective on the topic by focusing on the zoological identity of non-indigenous animal body parts as ‘material culture’.

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