Abstract

In the second half or so of the twentieth century, the dominance of modes of communication characterized primarily by “abstract propositions arrived at through rational argument”1 in what were considered to be paradigmatic works of Christian systematic theology came under fire on several fronts. Attempts to assert (or reassert) the value of narrative for Christian theology gained support across a broad swath of theological orientations, and in some cases – like that of the Narrative Theology movement associated in various forms with Niebuhr, Frei, Lindbeck, and Crites2 proponents of the rediscovery of narrative for theological methodology went so far as to argue that its employment is strictly indispensable for theology. Nevertheless, clearly, theology conducted primarily in terms of “propositional discourse” remains the norm. In contemporary analytic philosophy, too, the idea of philosophy’s incorporating (let alone consisting of) narrative at a deeper or more fundamental level than that of illustration or example – say, the occasional adventure story about a runaway trolley or sci-fi thriller about brains-in-vats and philosophical zombies – remains relatively exotic. But here, as in theology, the possibilities for a more substantial relationship between philosophy and narrative have not gone entirely unexplored. Among very recent works, for instance, Eleonore Stump’s Wandering in Darkness3 along with earlier publications in which she explored related ideas4 makes a particularly exemplary foray into this territory in connection with narrative in Hebrew Scripture, with implications for both philosophy and theology. And, now, Yoram Hazony’s Philosophy of Hebrew Scripture adds a new and important layer to the literature on the subject. This contribution, too, has significant implications for both philosophy and theology. So, it is on this issue – the expression of philosophical ideas of a general nature through scriptural narrative – that I will be focusing in this brief response. I will proceed, to begin with, in terms of the following (rough and simplified) way of cutting up the categories into which contemporary debate about the relation of narrative to philosophy can be helpfully organized5:

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