Nad „Golubnjačom“ uživo

Abstract

The play Golubnjača (1982), although primarily a multi-layered and complex literary work, did not attract the attention of literary critics as much as those who saw it as a danger due to possible rewriting of historical facts that were already established as a “credo” of the existing social reality. But it is precisely its theatrical realization that represents the basis that gives the written text the power of a living, embodied word. In this way, the writer opened his literary treasure to his readers in the same way that he attracted viewers to watch his plays with the magical power of living words.