Abstract
Ceramic stationery, a common element in indoor decor, has evolved into a delightful tabletop accessory for everyday use. Not only does it offer insights into the living conditions of literati and officials during the Ming Dynasty, but it also encapsulates their values, life aspirations, and spiritual quests, shedding light on changes in social relations and life order. This paper explores the ‘study room of Ming Dynasty literati as a window into their social lives, categorizes and analyzes the various types, appearances, functions, and principles of arranging techniques of the ceramic stationery, and elucidates the aesthetic characteristics of these pieces from perspectives encompassing form, functionality, and artistic expression.
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