乾嘉騈序的抒情成就及其文學史意義

Abstract

Pian Wen in Qing Dynasty, especially in Qian Jia(乾嘉) has outstanding achievements; in terms of style, it is most prominent in preface. Since the Song and Yuan dynasties, the scriptures have been mainly used in the “four-six” of Zhao Gao and Biao Qi etc, so the contents were restricted. In the early Qing Dynasty, Chen Weisong and Wu Qi used them more in prefaces and postscripts. During the Qian Jia period, the scope of the PianWen was greatly expanded. Prefaces, notes, theories, and fu all used the PianWen large quantities. Among them, Pian Xu is the main body of various carcass in Qian Jia, and has achieved outstanding achievements in expressing individual emotions. Whether Zeng Xu or Shi Wen Xu ect, the overall style is fresh, the tone is smooth, the emotions are sincere, the mood is faraway, and the characteristics of poetry as essays are clear. This not only developed the lyrical tradition of the prose in Tang Dynasty and the beginning of the six dynasties, but also changed the history of the futility of public prose in Song and Yuan dynasties; it also promoted the revival of the PianWen in Qing Dynasty and enriched the aesthetic connotation of PianWen