Abstract
Famous Nigerian writer Chimamanda Ngozi Adichie believes that the role of literature is to instruct and delight. Her realist literary creation focuses on Nigeria’s post-colonial cultural and political reconstruction, as well as race, gender and class in a cross-cultural context, which reflects her Igbo, Nigerian and African “sensibility” and a certain cosmopolitan stance. The present article comprehensively investigates Adichie’s views on literature, creative practice and the dissemination and acceptance of her works to achieve an in-depth understanding of the writer.
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