Abstract

This article deals with the research on dastans, the oral lore of the epic genre of Turkic peoples, featuring daunting stories and rich ethnographic details. Interestingly, the voluminous epic monuments belong to the common cultural heritage of different groups of kindred Turkic peoples: Tatars, Kazakhs, Bashkirs, Nogai, Uzbeks, Azerbaijanis, Turkmens, and others. We analyzed the epic-dastans, widespread and preserved until now in many Turkic nations, including the Tatars and Kazakhs, to identify their mythological attributes and behavioral formulas in the image of their heroes. We have noticed that the heroes of the analyzed dastans act in a "mythological space" and reflect "mythological consciousness." There, ancient mythological ideas of the Turkic nations about the world intervene with the ideas created later under the influence of Islam. By analyzing the behavior and deeds of the heroes of epic-dastans, such as "Er Tishlik", "Alpamysh Batyr", "Edige Batyr", "Koroghly", inherent in both the Kazakh and Tatar nations, we managed to find common features between the epic and mythological heroes, made a number of conclusions regarding their behavioral nature and the continuity of the mythological and artistic systems of the Turkic peoples' thought. Starting with the ancient epic and ending with the heroic dastans of the Turks, their themes and motifs in varying degrees are related to the mythological chronotype. Scientists, who devoted their scientific works to epics research, note the presence of the mythological layer in them. The mythological motif can be most expressly traced in more ancient epics, which denoted the beginning of the ancient Turkic folklore genres' development. Since the second half of the XIX century, the scientist recorded numerous folklore works of Turkic nations, told by their bearers during long scientific expeditions across Altai, Tuva, Khakassia, Shoria, Southern Siberia, East Kazakhstan, Kyrgyzstan, Uzbekistan, Northern Mongolia, and other territories of the Turkic nations' residence.

Highlights

  • Dastan is a term used by Turkic peoples to denote an epic work featuring a complex plot and describing fantastic and adventurous situations, used to refer to the genre of historical, heroic, or love epics, which is currently extinguishing

  • The typical and specific features of an epic batyr and the characters inherent in his supporters and enemies are the result of the "intersection" of the mythological and the real, where mythological heroes and historical personalities compose a uniform and orderly system

  • Mythological attributes in the characteristic of Turkic epic-dastan heroes play a special role in the description of their personality and explanation of their behavioral characteristics (Fayzullina et al, 2016)

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Summary

Introduction

Dastan is a term used by Turkic peoples to denote an epic work featuring a complex plot and describing fantastic and adventurous situations, used to refer to the genre of historical, heroic, or love epics, which is currently extinguishing. The famous Tatar folklore writer M.Kh. Bakirov said that epics, dastans, emerged on the basis of mythology and heroic stories in the period of the tribal system, when ancient tribal relations began to disintegrate. Epic-dastans are the common spiritual heritage of the Turkic nations, which reflects the ideology, customs, traditions, and history of the Turks, who lived since ancient times till the XII-XV centuries AD in a single https://personalitysociety.uk/. Epic poems about a native Turkmen have become a favorite work for the Kazakhs, Turkish, Armenians, Georgians, Uzbeks, Turkmens, Tajiks, Kurds, Tatars, Abkhaz, Kumyks, Kara-Kalpaks, etc. Historically established features and details tell us about the identity and mentality of a certain nation" (Mingazova, 2014)

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