Abstract
Chapter 2—Part II, the creative categories of the origin—describes creativity from its genealogy and the sociocultural–historical context from where it arises. More precisely, it deals with the idea conveyed by Western myths, the narrative about the identification of the instituting generatrix forces or the procreative divinities that lie behind the birth of the cosmos, of the world, of society, of the earth, of gods, of humans, of animals, and of plants. Thus, from an interpretative examination of the myths about Mother Goddess, those about Biblical Genesis, as well as of Greek creation myths, a conceptual map is traced that delimits the traits that define creativity (1). The ultimate goal is to check whether such characters have survived to the present day (2).
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