Abstract
This memoir-essay covers the time period from 1952 to the present and chronicles the author's efforts to define and explain Hemingway's use of religious allusion in his fiction. Cited are letters from Hemingway, Malcolm Cowley, Maxwell Geismar, Robert M. Brown, and Carlos Baker, as well as interviews with William Carlos Williams, Orville Prescott, and Lewis Leary as the author does research first for his M.A. and PH.D. theses, then for subsequent publications and papers on Hemingway. This essay tells a detailed story about a student-turned-professor's critical maturing and is designed to exemplify the effects of intellectual and scholarly growth.
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