Abstract

Theatre Research International is published in association with IFTR – the International Federation for Theatre Research – and renews its editorial team every three years. Therefore, before passing on the ‘torch’ to Elaine Aston, who will serve as the Senior Editor beginning with the next issue of TRI (35, 1), and to Charlotte Canning, the incoming Associate Editor, wishing them success, I want to thank Elaine for her cooperation and support as Associate Editor during my three-year term. I also want to thank the Assistant Editor during my term as editor, Kristina Hagström-Ståhl, for her help. The articles that have been published during these years have no doubt greatly profited from her comments and suggestions, as well as from those of the many anonymous reviewers whom I also want to thank for their invaluable assistance. I would also like to thank the book review editors, in particular Peter Boenisch, for keeping the readers of the journal up to date with the many developments of the field, as well as the staff at Cambridge University Press, in particular Ella Colvin, Sally Hoffman and James Carr for their professional navigation of the actual publication process. Finally – and no doubt most importantly – I want to thank the scholars who have contributed their research to the journal, as well as the readers. The contributions and the subscriptions are steadily growing and this is certainly an encouraging sign.

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