Abstract

While the last few years have witnessed an upsurge of studies into enslaved motherhood in the antebellum American South, the role of the enslaved father remains largely trapped within a paradigm of enforced absenteeism from an unstable and insecure familial unit. The origins of this lie in the racist assumptions of the infamous “Moynihan Report” of 1965, read backwards into slavery itself. Consequently, the historiographical trajectory of work on enslaved men has drawn out the performative aspects of their masculinity in almost every area of their lives except that of fatherhood. This has produced an image of individualistic masculinity, separate from the familial role that many enslaved men managed to sustain and, as a result, productive of a disjointed and gendered genealogy of slavery and its legacy. This paper assesses the extent to which this fractured genealogy actually represents the former slaves’ worldview. By examining a selection of interviews conducted by the Federal Writers’ Project under the auspices of the Works Progress Administration (WPA) in the 1930s (the WPA Narratives), this paper explores formers slaves’ memories of their enslaved fathers and the significance of the voluntary paternal presence in their life stories. It concludes that the role of the black father was of greater significance than so far recognised by the genealogical narratives that emerged from the slave communities of the Antebellum South.

Highlights

  • British actress Fanny Kemble was, famously, horrified by what she encountered on her husband’s slave plantation in Georgia; so horrified, that the couple soon separated

  • In order to assess the role of the enslaved father in the life stories of those who were children when slavery ended, the memories of fatherhood that they retained, indistinctly, the significance of the paternal presence, or absence, in their lives, and the role that fatherhood played in the genealogical narrative constructed out of the slave past, they are revealing

  • The importance of fathers in the narratives of former slaves recorded by the Works Progress Administration (WPA) serves as a corrective to the widespread assumption that enslaved families comprised mothers and children, with fathers a shadowy or altogether absent element in the family structure and, in the genealogical narratives that emerged from the slave community

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Summary

Introduction

British actress Fanny Kemble was, famously, horrified by what she encountered on her husband’s slave plantation in Georgia; so horrified, that the couple soon separated. Until the United States itself had, temporarily, separated to publish her memoirs of life in the slave south, memoirs that included a damning indictment of the constrictions that slavery imposed on the relationship between enslaved fathers and their children In order to assess the role of the enslaved father in the life stories of those who were children when slavery ended, the memories of fatherhood that they retained, indistinctly, the significance of the paternal presence, or absence, in their lives, and the role that fatherhood played in the genealogical narrative constructed out of the slave past, they are revealing. This paper agrees that, in purely evidential terms in respect of slavery, the WPA narratives are open to challenge; but as a means of assessing the ways in which former slaves wrote themselves into a national genealogical narrative of family and freedom, it proposes, they are both revealing

Enslaved Fatherhood in the American South
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