Abstract

The article: “Mexico on the centenary of the Mexican Revolution,” states in its first paragraph that a literary image may hold the value of a symbol of historical perception, which has an effect on the mental reality of the representation that a people, or nationality. may hold of a real and historical event. The author interprets how the psychocultural trajectory of this first image given by Mexican novelists has gone forward in configuring. Marta Portal refers to the plastic art contribution of the mural, “mirror more than dialectical instrument,” she says, or comes to say, declaring herself in favor of the narrative, and of the most reflexive load of literary language: testimony, reflection, dialectic, evaluation, even harangue, in some cases.

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