Abstract
Abstract In this article, I read the shipwrecked journeys in T. S. Eliot’s 1922 poem The Waste Land as belonging to a long-standing trope of travel by sea. By examining the connections between the scenes of shipwrecks in the poem and its intertexts, including works by Homer and Shakespeare, I reconstruct the characters’ homecoming journeys in a Ulyssean palimpsest of nostos (‘homecoming’) in these scenes. I argue that these scenes foreground the challenges of homecoming by sea while implying the hope for returns through mythical implications and dramatic effect. The article situates drowning and resurrection, the governing themes of the poem, in the critical lineage of nostos that encompasses deferred return and symbolic rebirth. Informed by the context of the Great War and Eliot’s New England heritage, the article challenges the work in modernist studies that tends to interpret Eliot’s depiction of these thwarted journeys as a rejection of homecoming.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.