Abstract
This article examines the concept of relational aesthetics, starting with Nicolas Bourriaud's discussion related to art theory. It discusses the concept in relation to music as experiencebased action, where familiar issues between high and low and between art and popular culture are affected. The article emphasizes the "music" as an active social space, characterized by ritualized practices that are active in human life, ways of being-in-the world, and alternative and experimental reality categories.
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Schedule a callMore From: Norsk tidsskrift for musikkforskning | Norwegian Journal of Musicology Online
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