Abstract

Crowding occurs when the perception of a suprathreshold target is impaired by nearby distractors, reflecting a fundamental limitation on visual spatial resolution. It is likely that crowding limits music reading, as each musical note is crowded by adjacent notes and by the five-line staff, similar to word reading, in which letter recognition is reduced by crowding from adjacent letters. Here, we tested the hypothesis that, with extensive experience, music-reading experts have acquired visual skills such that they experience a smaller crowding effect, resulting in higher music-reading fluency. Experts experienced a smaller crowding effect than did novices, but only for musical stimuli, not for control stimuli (Landolt Cs). The magnitude of the crowding effect for musical stimuli could be predicted by individual fluency in music reading. Our results highlight the role of experience in crowding: Visual spatial resolution can be improved specifically for objects associated with perceptual expertise. Music-reading rates are likely limited by crowding, and our results are consistent with the idea that experience alleviates these limitations.

Highlights

  • Crowding occurs when the perception of a suprathreshold target is impaired by nearby distractors, reflecting a fundamental limitation on visual spatial resolution

  • What mechanisms contribute to this impressive perceptual performance for musical notes? Prior work has suggested that experts process music sequences holistically and automatically, with the amount of holistic processing being related to individual differences in music reading speed (Wong & Gauthier, 2010a)

  • Crowding refers to the disruption of visual processing by distractors located close to the target, and it is considered a fundamental limitation on visual spatial resolution

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Summary

Introduction

Crowding occurs when the perception of a suprathreshold target is impaired by nearby distractors, reflecting a fundamental limitation on visual spatial resolution. Crowding refers to the disruption of visual processing by distractors located close to the target, and it is considered a fundamental limitation on visual spatial resolution (see the recent reviews in Levi, 2008; Pelli & Tillman, 2008) This limitation is robust in the peripheral visual field, where an isolated object can be identified yet recognition is disrupted once flankers (distractor objects) are added close to that object. Can music-reading experience help experts alleviate crowding, such that they attain improved music-reading rates?

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