Abstract
Despite its relative confidentiality, as a result of the technical nature of the musical language, musicology is a major element in the ideological debates which are the keystone of social sciences. The formalist stage (1970-1 990) is influenced by structuralism musical analysis and by a questioning approach to the language breaks of the avant-garde. The baroque movement (1980) disrupts the relationships between practising musicians and musicologists, the former following the teachings of the latter. Today, the interest in the socio-historical methods and the reception-oriented approach redefines the relationships between internal and external criticism.
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