Abstract
ABSTRACTI describe the ubiquity of the musical—non-metaphorical, actually musical—dimension in the psychoanalytic encounter. I point out that this needs underlining since, strangely, it has been neglected in psychoanalytic literature until recent years, which I suggest is a legacy of Freud’s aversion to music. I look at a wide range of psychoanalytic literature which invokes music metaphorically while neglecting its literal musicality. I also explore the possible musical dimension of texts which explore non-verbal emotionality. I consider the long-term effects on internal object relations and personality of pre-verbal, infantile musicality and also of musicality within the womb. I conclude with an extended clinical example.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.